DCC Supplies - Excellence in control

Summer Green Static Grass 6mm

Green Scene Static Grass Summer Green Long Fibres 6mm

Static fibres in a variety of colours and sizes.
Ideal for use with the FlockIt to create grassy areas.
Mix different grades to create various effects from short cropped grass to tall wild grassy areas.

Summer Green Static Grass 4mm

Green Scene Static Grass Summer Green Medium Fibres 4mm

Static fibres in a variety of colours and sizes.
Ideal for use with the FlockIt to create grassy areas.
Mix different grades to create various effects from short cropped grass to tall wild grassy areas.

Spring Green Static Grass 6mm

Green Scene Static Grass Spring Green Long Fibres 6mm

Static fibres in a variety of colours and sizes.
Ideal for use with the FlockIt to create grassy areas.
Mix different grades to create various effects from short cropped grass to tall wild grassy areas.

Spring Green Static Grass 4mm

Green Scene Static Grass Spring Green Medium Fibres 4mm

Static fibres in a variety of colours and sizes.
Ideal for use with the FlockIt to create grassy areas.
Mix different grades to create various effects from short cropped grass to tall wild grassy areas.

Tomix 'N' Gauge Pads for Track Cleaning Car 6413

Tomix N Gauge Replacement Pads for Track Cleaning Car 6413

Contents: 24 insert pads for polishing and grinding wheels.

Tomix 6413

Tomix 'N' Gauge Discs for Track Cleaning Car 6424

Tomix N Gauge Spare Discs for Track Cleaning Car 6424

Contents: 20 polishing and 10 grinding discs for the N gauge cleaning car.

Tomix 6424

Tomix 'N' Gauge Spares for Track Cleaning Car 6423

Tomix N Gauge Spare Pads for Track Cleaning Car 6423

Contents: 6 discs and a toolset for the N gauge cleaning car

Tomix 6423

Model Rail No. 183 (June 2013)

No. 183 June 2013 edition of Model Rail Magazine

Every scale, every era, every four weeks

Model Rail magazine has a fresh new approach to model railway magazines; it shows you how to get the best from your hobby. Essential reading for anyone interested in railway modelling.

British Railway Modelling (BRM June 2013)

June 2013 Vol 21 No 3 edition of British Railway Modelling Magazine

Plus all the regular features!

Since 1993, British Railway Modelling has provided exceptional coverage of the UK model railway hobby, building a reputation for innovation, quality content and superb photography.

A typical issue of BRM covers topics such as:

* Inspirational layout features and superb photography
* 'How to' articles on locomotive and rolling stock construction
* Kit building and conversion projects
* Scenery and structure modelling
* Historical information from train formations to livery details
* Articles to help and guide junior or new modellers
* Readers layouts BRM finds some 'hidden gems'
* Unbiased and in depth product news and reviews
* Points Arising our lively letters page where readers express their point of view

Garden Rail 226 (June 2013)

June 2013 225 edition of Garden Rail Magazine
US focused garden magazine

All the usual feature articles and regular columns.
Plus letters, tips.

Tile Rounded Red Redutex 148PP113

Natural finish N scale self-adhesive 3D 'look and feel' effect sheet.

Use your creativity! Many textures can be used for alternative purposes, e.g. Wood decking can also be used for wooden siding, or as shed and fence panels. 2mm Roman walling also makes great 4mm block paving!
Each Redutex texture sheet is a 300mm x 120mm sheet of acrylic 3D surface effect with a self-adhesive backing.
Appearance is matt, with subtle shading variations in the colour. Polychrome versions offer an additional range of colour depth producing highlighting, shading and staining typical of weathered surfaces.
The texture is simply cut to shape (using a regular modellers knife), and attached using its self-adhesive backing. If necessary edges can be filled and painted using standard modelling products.

For those who wish to add even higher levels of detail; acrylic paints, weathering powders and washes, as well as tried and tested techniques, can all be used on the texture. It is easily cut, shaped, bent, laminated and glued as required to fit the model or to build-up effects. Again, most commonly used techniques and products can be used and applied to the texture.

Cutting and Fitting:
Redutex is an extremely flexible product, and can be adapted to fit many awkward spaces. Following a few guidelines makes this an easier and more effective process.

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Dry Stone Light Slate Redutex 148PL111

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Tile Square Terracotta Redutex 148PC113

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Slate Square Uneven Light Grey Redutex 148PC112

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Slate Square Dark Grey Redutex 148PC111

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Masonry Random Stone Red Weathered Redutex 148MP122

Polychrome finish N scale self-adhesive 3D 'look and feel' effect sheet.

The Polychrome process adds additional colour depth and effects such as ageing, weathering and staining to the natural finish

Use your creativity! Many textures can be used for alternative purposes, e.g. Wood decking can also be used for wooden siding, or as shed and fence panels. 2mm Roman walling also makes great 4mm block paving!
Each Redutex texture sheet is a 300mm x 120mm sheet of acrylic 3D surface effect with a self-adhesive backing.
Appearance is matt, with subtle shading variations in the colour. Polychrome versions offer an additional range of colour depth producing highlighting, shading and staining typical of weathered surfaces.
The texture is simply cut to shape (using a regular modellers knife), and attached using its self-adhesive backing. If necessary edges can be filled and painted using standard modelling products.

For those who wish to add even higher levels of detail; acrylic paints, weathering powders and washes, as well as tried and tested techniques, can all be used on the texture. It is easily cut, shaped, bent, laminated and glued as required to fit the model or to build-up effects. Again, most commonly used techniques and products can be used and applied to the texture.

Cutting and Fitting:
Redutex is an extremely flexible product, and can be adapted to fit many awkward spaces. Following a few guidelines makes this an easier and more effective process.

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Masonry Random Stone Grey Weathered Redutex 148MP121

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Old Brick Stretcher Bond Red Weathered Redutex 148LV122

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Old Brick Stretcher Bond Beige Weathered Redutex 148LV121

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.

Wood Slat Brown Redutex 148LM112

It is not recommended to bend or apply the textures at a room temperature of less than 15 degrees centigrade.
Damp, dusty, flaky or fuzzy surfaces should be cleaned dried and sealed before applying textures.
Larger scales or pronounced textures are less flexible than small scale bricks for example. It is recommended that the texture is cut, jointed and then trimmed when fitting into and around tight corners such as walls.
Matching the brick repetition on adjoining faces is as easy as lining up the courses! This produces (IMHO) the best finish.
The 'full wrap' effect is more applicable to curved surfaces and paved areas. Some of the larger textures, (such as Pantiles) and larger scales are more difficult to bend as they have a more pronounced shape, and resist bending.
Uneven surfaces require no special technique as even these larger textures are sufficiently flexible to conform to undulations and minor curves.
Tighter curves and bends can be accommodated by gentle warming, either by holding in the hand, or use of a hair-dryer.
More heat will allow stretching and deformation to take place, allowing the formation of 'flat curves' i.e. forming a paved texture around a curved pathway.
N.B. Too much direct heat will damage the texture!
If the effect you are attempting is proving difficult, then emulate the real world, i.e. paving slabs are often cut at angles and jointed rather than bent when building a curved path. Roofs which are sagging often have uneven and missing tiles, cut and trim your texture to emulate missing tiles and drops in the roofline. Cut out one or two tiles and fit below the gap, or pile on the ground, as slipped tiles.
Other surfaces naturally curve, i.e. Tarmac. In this case divide the texture into linier strips, and curve each individually using heat, strips are laid side by side.
A filler will be shortly available in the texture base colours. This will simplify jointing in difficult areas.